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original text at rerura.com/english/harry-nilsson-one-250904
One is the loneliest number that you'll ever do
Two can be as bad as one
It's the loneliest number since the number one
 
No is the saddest experience you'll ever know
Yes, it's the saddest experience you'll ever know
Because one is the loneliest number that you'll ever do
One is the loneliest number that you'll ever know
 
It's just no good anymore since you went away
Now I spend my time just making rhymes of yesterday
Because one is the loneliest number that you'll ever do
One is the loneliest number that you'll ever know
One is the loneliest number
One is the loneliest number
One is the loneliest number that you'll ever do
 
One is the loneliest number, much, much worse than two
One is the number divided by two
One
One is the loneliest number


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Biography:

Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), usually credited as Nilsson, was an American singer-songwriter who achieved the peak of his commercial success in the early 1970s. His work is characterized by pioneering overdub experiments, returns to the Great American Songbook, and fusions of Caribbean sounds. A tenor with a three-and-a-half octave range, Nilsson was one of the few major pop-rock recording artists of his era to achieve significant commercial success without ever performing major public concerts or undertaking regular tours.
 
Born in Brooklyn, Nilsson fled to Los Angeles as a teenager and landed a job as a computer programmer at a bank. It was there that he cultivated an interest in musical composition and close-harmony singing, and was successful in having some of his songs recorded by various artists such as the Monkees, and later, Three Dog Night, who had a No. 5 hit with his song “One”. In 1967, he debuted on RCA Victor with the LP Pandemonium Shadow Show, followed with a variety of releases that include a collaboration with Randy Newman (Nilsson Sings Newman, 1970) and the original children’s story The Point! (1971). After a brief period of widely publicized, alcohol-fueled antics with John Lennon—the two collaborating in 1974 for the album Pussy Cats—Nilsson left RCA, and his record output subsequently diminished. In response to Lennon’s 1980 death by shooting, he took a hiatus from the music industry to campaign for gun control. For the rest of his life, he recorded only on sporadic occasions. In 1994, Nilsson died of a heart attack while in the midst of recording new material for a since-unreleased comeback album.
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